This year I learned how to work with Puretch. It is mostly used for photo digital intaglio, but one of the great things about it is that you can expose any drawings or marks onto a plate thought that process. So here is Herman & I fall 1994.

I worked with Rorschach inkblots that I exposed onto the Puretch. There are three layers of  inkblots, the last one being the print from sugarlift applied onto acetate.


One thought on “Plates

  1. Pingback: Hermann in Black | a vague sense of unease

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s