I was struggling a lot with Hermann & I, fall 1994. It was a very complicated process, and it took me 5 weeks to start actually working on it.
Once I had the image I decided to work with subtle variation, and though of printing black on black. However a friend of mine tested her print on glacine (a thin shiny transparent inter-leaf paper).
Once I saw it I fell in love with the effect it created. The delicate transparency and the contrast of the shiny paper and relatively mat ink.
Right now I need to find a way of presenting it, since the transparency adds another dimension.
Hermann & I, fall 1994, surface roll on glacine, edition of 7, 2011.
Hermann & I, fall 1994, detail.
Hermann & I, fall 1994, detail.
Hermann & I, fall 1994, detail.
a vague sense of unease 